On one of the floors in one of the buildings in one of the streets that slope precipitously from the Strand to the Thames Embankment, there is a door that would be all the better for a lick of paint, which bears what is perhaps the most modest and unostentatious announcement of its kind in London. The grimy ground-glass displays the words:
Simply that and nothing more. It is rugged in its simplicity. You wonder, as you look at it—if you have time to look at and wonder about these things—who this Jones may be; and what is the business he conducts with such coy reticence.
As a matter of fact, these speculations had passed through suspicious minds at Scotland Yard, which had for some time taken not a little interest in R. Jones. But beyond ascertaining that he bought and sold curios, did a certain amount of bookmaking during the flat-racing season, and had been known to lend money, Scotland Yard did not find out much about Mr. Jones and presently dismissed him from its thoughts.
On the theory, given to the world by William Shakespeare, that it is the lean and hungry-looking men who are dangerous, and that the “fat, sleek-headed men, and such as sleep o’ nights,” are harmless, R. Jones should have been above suspicion. He was infinitely the fattest man in the west-central postal district of London. He was a round ball of a man, who wheezed when he walked upstairs, which was seldom, and shook like jelly if some tactless friend, wishing to attract his attention, tapped him unexpectedly on the shoulder. But this occurred still less frequently than his walking upstairs; for in R. Jones’ circle it was recognized that nothing is a greater breach of etiquette and worse form than to tap people unexpectedly on the shoulder. That, it was felt, should be left to those who are paid by the government to do it.
P. G. Wodehouse, Something New ch. II (1915).